Point of View

Grade 7 Reading | FL B.E.S.T. Standard: ELA.7.R.1.3

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What Will You Learn?

Every story is told through someone's eyes. The point of view determines what readers can know - and what they CAN'T know. Authors choose a specific perspective to create effects like suspense, mystery, or dramatic irony. Today you'll learn to analyze HOW point of view shapes your reading experience.

Three Main Points of View

FIRST PERSON

Pronouns: I, me, my, we

Narrator IS a character in the story

"I couldn't believe what I was seeing. My heart raced as I opened the letter."

THIRD-PERSON LIMITED

Pronouns: he, she, they

Follows ONE character's thoughts only

"Sarah didn't know what to think. She wondered if anyone had noticed her mistake."

THIRD-PERSON OMNISCIENT

Pronouns: he, she, they

Knows ALL characters' thoughts

"While Sarah worried about her mistake, Jake was planning his own secret surprise for her."

Key Question: Whose thoughts can the narrator tell us? One character? All characters? This determines the POV type!

What POV Controls: Reader Knowledge

POV Type Readers CAN Know Readers CAN'T Know
First Person Narrator's thoughts, feelings, and observations Other characters' private thoughts; events narrator isn't present for
Third-Person Limited One character's thoughts and everything they observe Other characters' thoughts; scenes the focus character isn't in
Third-Person Omniscient ALL characters' thoughts, any scene, any time Nothing - this narrator knows everything!

Dramatic Irony: When You Know More Than the Characters

Dramatic irony occurs when readers know something that characters don't. This creates tension, suspense, or even humor!

Example: In a horror movie, you see the monster hiding in the closet, but the character doesn't. You might yell at the screen: "Don't open that door!" That feeling of knowing more than the character is dramatic irony.

How POV creates it: Omniscient narrators can show us what multiple characters know, so we might see the villain's plan while the hero remains unaware. Limited POV can also create it when a character misunderstands something readers figured out.

Example: Third-Person Omniscient

Marcus walked into the surprise party, completely unsuspecting. Just a regular Tuesday, he thought, wondering why his mom had asked him to pick up milk.

Behind the couch, his sister Tanya held her breath, her heart pounding with excitement. She had spent three weeks planning this moment. If he doesn't act surprised, I'm going to be so mad, she thought.

In the kitchen, Dad was panicking. He had forgotten to hide his car in the garage, and he was certain Marcus must have noticed it. The whole surprise is ruined, he worried, not knowing Marcus had been too busy looking at his phone to see anything.

"SURPRISE!"

The look on Marcus's face told everyone the secret had been kept perfectly.

Notice How the Omniscient POV Works:

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MULTIPLE THOUGHTS: We hear Marcus's, Tanya's, AND Dad's private thoughts - something only an omniscient narrator can reveal.
😬
DRAMATIC IRONY: Dad thinks the surprise is ruined, but WE know Marcus didn't notice the car. We know more than Dad does!
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FULL PICTURE: We understand everyone's perspective, making the final moment more satisfying because we saw all the worry.

Same Scene: First-Person Limited (From Marcus)

I walked into the house, annoyed that Mom had interrupted my game for a milk run. Just a regular Tuesday.

The living room seemed weirdly quiet. Where was everyone? And why were the lights off?

"SURPRISE!"

I jumped so high I nearly hit the ceiling. My sister was laughing hysterically, and Dad looked like he might cry with relief for some reason.

A surprise party? For me? I had no idea anyone had been planning anything.

Compare the Two Versions

Omniscient Version First-Person Version (Marcus)
We know everyone's thoughts and feelings We only know Marcus's thoughts
We feel dramatic irony (Dad's worry is unnecessary) We're surprised along WITH Marcus
Humor comes from seeing everyone's perspective Mystery/suspense: "Why is it so quiet?"

Author's Choice: Neither version is "better" - they create DIFFERENT effects. The author chooses POV based on what experience they want readers to have.

Your Turn!

1. In the OMNISCIENT version, what does the reader know that Marcus doesn't know?
2. What is the POV of the second version? How can you tell?
3. In the first-person version, why can't we know what Tanya and Dad are thinking?
4. Which version creates dramatic irony? Explain why.
5. Why might an author choose first-person POV for a mystery story?

Analyzing Point of View: Key Questions

Remember: POV isn't just about pronouns - it's about what readers are ALLOWED to know, and how that shapes our experience of the story.