Grade 7 English Language Arts | FL B.E.S.T. Standard: ELA.7.R.1.3
ELA.7.R.1.3: Analyze how an author develops and contrasts the points of view of different characters or narrators in a text.
Grade 7 Focus: Understanding how POV shapes reader perception, creates dramatic irony, builds suspense, and reveals character through limited/omniscient perspectives.
By the end of this unit, students will be able to:
| Term | Definition | Student-Friendly Explanation |
|---|---|---|
| Point of View (POV) | The perspective from which a story is told | Whose "eyes" we see the story through and whose thoughts we can access |
| First Person | Narrator is a character in the story using "I" | The narrator is IN the story, telling their own experience ("I walked into the room") |
| Third-Person Limited | Narrator outside the story, but only knows one character's thoughts | We follow one character closely and only know what THEY think and feel |
| Third-Person Omniscient | All-knowing narrator who can reveal any character's thoughts | The narrator knows EVERYTHING - every character's thoughts, feelings, and secrets |
| Dramatic Irony | When readers know something characters don't | You're yelling at the screen "Don't open that door!" because you know the danger they don't |
| Unreliable Narrator | A narrator whose account may be biased or incomplete | The narrator might not be telling the whole truth - maybe they're lying or don't understand |
| Bias | A personal tendency to see things a certain way | When someone's perspective is shaped by their experiences, beliefs, or self-interest |
| POV Type | Reader Knows | Effect on Story |
|---|---|---|
| First Person | Only narrator's thoughts, limited to their presence | Intimate but potentially unreliable; creates mystery about others |
| Third-Person Limited | One character's thoughts, can see scenes they're in | Close identification with one character; suspense about others' motives |
| Third-Person Omniscient | All characters' thoughts, any place, any time | Creates dramatic irony; readers know more than any single character |
| Day | Focus | Activities |
|---|---|---|
| 1 | POV Identification | Review POV types using short excerpts. Focus on pronouns and access to thoughts. Use Student Concept Worksheet. |
| 2 | POV and Reader Knowledge | Analyze how limited POV creates suspense by restricting what readers know. |
| 3 | Dramatic Irony | Explore how omniscient POV creates dramatic irony. Use film clips or short story examples. |
| 4 | Multiple Perspectives | Analyze texts where different characters have contrasting views. Complete Practice Worksheet. |
| 5 | Assessment | Administer FAST Format Quiz. Review and reteach as needed. |
Take a brief passage and have students rewrite it from a different POV. For example, convert a first-person scene to third-person omniscient. Discuss: What can we now reveal that we couldn't before? What do we lose? This makes POV effects tangible.
Create a character knowledge chart. List characters across the top and story events down the side. Mark what each character knows at each point. This visual helps students see where dramatic irony occurs - when readers' knowledge differs from characters'.
Present the same event from multiple perspectives (real or fictional). Example: A classroom disagreement told from the student's, teacher's, and bystander's views. Discuss how each narrator's bias shapes their version. This builds understanding of unreliable narration.
Ask students: "If you were the author, why would you choose THIS narrator?" Help them see POV as a deliberate choice. First-person creates intimacy; limited creates mystery; omniscient creates dramatic irony. Connect POV to author's purpose.
Correction: While pronouns indicate POV, the deeper analysis involves understanding what the narrator CAN and CANNOT know. A first-person narrator can't tell us another character's private thoughts - they can only observe and guess. This limitation shapes the entire story.
Correction: Third-person LIMITED and third-person OMNISCIENT are very different. Limited restricts us to one character's perspective; omniscient gives us access to all. Many students conflate these. Practice identifying which thoughts are accessible in each type.
Correction: Narrators can be unreliable, biased, or simply mistaken. First-person narrators especially may have limited understanding or personal agendas. Teach students to question what the narrator might be missing or misunderstanding.
Correction: Dramatic irony occurs whenever readers know something characters don't - in comedies (we know the disguise will be revealed), mysteries (we see clues the detective missed), and everyday fiction. It creates anticipation across all genres.
On the FAST assessment, point of view questions typically ask students to:
Key Strategy: Train students to ask: "What does the narrator know? What don't they know? How does this affect my understanding of the story?"