| Question |
Answer |
| 1 |
B. Hope and the pursuit of freedom persist even in the darkest circumstances.
Both Douglass and Frank maintain hope despite extreme oppression. |
| 2 |
Douglass's context of slavery shapes his expression through the painful awareness that knowledge brings. His learning to read opens his eyes to injustice ("gave me a view of my wretched condition") but also keeps hope alive - freedom "appeared, to disappear no more forever." The context of being legally enslaved makes his hope both more painful and more necessary. |
| 3 |
Frank's context of hiding from Nazi persecution shapes her expression through maintaining idealism despite witnessing destruction. She acknowledges "grim reality" and "the suffering of millions" yet consciously chooses to "believe, in spite of everything, that people are truly good at heart." Her context of immediate danger makes her hope a deliberate choice. |
| 4 |
B. Douglass: the concept of freedom; Frank: belief in human goodness |
| 5 |
Douglass's anger comes from being actively enslaved and recognizing the injustice of his condition - his context involves fighting for his own freedom. Frank's optimism comes from choosing hope as a survival mechanism - her context is waiting and hiding, so maintaining belief becomes her form of resistance. Douglass can act; Frank must endure, and their tones reflect these different contexts. |
| 6 |
B. Power and fame are temporary; pride leads to downfall. |
| 7 |
Shelley's Romantic era context emphasized nature's power over human ambition. He uses the desert and time to destroy the pharaoh's legacy - "boundless and bare the lone and level sands stretch far away." Nature (the desert) ultimately defeats human pride, reflecting Romantic fascination with nature's superiority. |
| 8 |
The modern context of social media and viral fame shapes the story's rapid rise and fall - "Within seventy-two hours, sponsors vanished." Instead of centuries passing, cancellation happens in days. The symbol of impermanence is the empty billboard space and the teenager who can't remember his name, reflecting how quickly digital fame disappears. |
| 9 |
Shelley's irony: The pedestal reads "Look on my Works, ye Mighty, and despair!" but nothing remains - the boast is undermined by complete destruction. Modern story's irony: Marcus called himself "a legend" in interviews, but became "a footnote, a cautionary tale" - his self-proclaimed greatness became the opposite. |
| 10 |
Shelley uses the desert/sand as a symbol - natural forces slowly erasing human achievement over centuries, reflecting Romantic era's focus on nature. The modern story uses the empty billboard space and fading social media following - digital erasure happening in days, reflecting contemporary culture's rapid attention shifts. |
| 11 |
B. Hope for a better life drives people to seek new homes despite hardship. |
| 12 |
Lazarus's 1883 context (mass European immigration, Statue of Liberty fundraising) shaped her expression through grand, welcoming imagery. She presents America as "Mother of Exiles" opening "the golden door" to "huddled masses" - a sweeping, idealistic vision reflecting the era's optimism about immigration as national strength. |
| 13 |
The contemporary context of refugee crises and immigration debates shapes the story's more personal, uncertain approach. Amara's journey involves "three years in a refugee camp" and arriving uncertain if she belongs. The story reflects modern complexity - hope exists but is qualified ("It wasn't home yet. But it could become one"). |
| 14 |
Lazarus's tone is triumphant and welcoming - the Statue speaks with authority and promise. This reflects her era's confidence in American ideals. The modern story's tone is hopeful but uncertain - Amara doesn't know if she belongs yet. This reflects contemporary awareness of immigration's challenges and debates about belonging. |